The Skin of the Film: Intercultural Cinema, Embodiment, and...

Main
The Skin of the Film: Intercultural...

The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses

Laura U. Marks, Dana Polan

0 / 0

Jak bardzo podobała Ci się ta książka?

Jaka jest jakość pobranego pliku?

Pobierz książkę, aby ocenić jej jakość

Jaka jest jakość pobranych plików?

Uses Deleuze to explore new ways of looking at intercultural and experimental cinema.

Rok:

2000

Wydawnictwo:

Duke University Press

Język:

english

Strony:

320

ISBN 10:

0822381370

ISBN 13:

9780822381372

Plik:

PDF, 3.00 MB

IPFS:

,

english, 2000

Czytaj Online

Trwa konwersja do

Konwersja do nie powiodła się

Możesz być zainteresowany

John A. Lent — Comic Art of the United States through 2000, Animation and Cartoons: An International Bibliography (Bibliographies and Indexes in Popular Culture)

John A. Crespi — Manhua Modernity: Chinese Culture and the Pictorial Turn

黄作 — 漂浮的能指——拉康与当代法国哲学

蒂费纳・萨莫瓦约著；邵炜译 — 互文性研究

Fitzsimmons, Lorna;Lent, John A — Asian popular culture: new, hybrid, and alternate media

Christopher J. Berry PhD, Mary Ann Farquhar PhD — China on Screen: Cinema and Nation (Film and Culture Series)

Nicholas Rombes — Cinema in the Digital Age

Angela Ndalianis — Neo-Baroque Aesthetics and Contemporary Entertainment (Media in Transition)

John Lent — Comic Books and Comic Strips in the United States through 2005: An International Bibliography (Bibliographies and Indexes in Popular Culture)

Patrick Fuery (auth.) — New Developments in Film Theory

Sylvie Bissonnette — Affect and Embodied Meaning in Animation: Becoming-Animated

Douglas Kellner — Media Culture

C. Raeff — Social and Cognitive Development in the Context of Individual, Social and Cultural Processes (International Library of Psychology)

Stephanie Hemelryk Donald, Michael Keane, Yin Hong — Media in China: Consumption, Content and Crisis

Jeremy E. Taylor — Rethinking Transnational Chinese Cinemas: The Amoy-Dialect Film Industry in Cold War Asia

Yongchun Fu — The Early Transnational Chinese Cinema Industry

Jennifer M. Barker — The Tactile Eye: Touch and the Cinematic Experience

John A. Crespi [Crespi, John A.] — Manhua Modernity: Chinese Culture and the Pictorial Turn

John A. Crespi — Manhua Modernity: Chinese Culture and the Pictorial Turn

Nick Browne, Paul G. Pickowicz, Vivian Sobchack, Esther Yau — New Chinese Cinemas: Forms, Identities, Politics

Robert J.C. Young — Postcolonialism: An Historical Introduction

Vivian Sobchack — The Address of the Eye: A Phenomenology of Film Experience

John A. Lent — Illustrating Asia: Comics, Humour Magazines and Picture Books

John A. Lent (editor), Lorna Fitzsimmons (editor) — Asian Popular Culture: New, Hybrid, and Alternate Media

Susie Scott — Negotiating Identity: Symbolic Interactionist Approaches to Social Identity

Rolf Giesen — Animation Under the Swastika: A History of Trickfilm in Nazi Germany, 1933-1945

Dani Cavallaro — Japanese Aesthetics and Anime: The Influence of Tradition

Philip T. Grier — Identity and Difference: Studies in Hegel's Logic, Philosophy of Spirit, and Politics

Cinzia Bottini — Redesigning animation : United Productions of America

Laura U. Marks — Touch: Sensuous Theory and Multisensory Media

Michele Kennerly, Damien Smith Pfister — Ancient Rhetorics and Digital Networks

Laura U. Marks — The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses

Kristen Whissel — Spectacular Digital Effects: CGI and Contemporary Cinema

Sheldon Hsia-Peng Lu — Transnational Chinese Cinemas: Identity, Nationhood, Gender

John A. Crespi — Voices in Revolution: Poetry and the Auditory Imagination in Modern China

Sheldon Hsiao-peng Lu — Transnational Chinese Cinemas: Identity, Nationhood, Gender

Gina Marchetti (editor); Sheldon Hsiao-peng Lu (editor) — Citing China: Politics, Postmodernism, and World Cinema

Max Ryynänen — Bodily Engagements with Film, Images, and Technology: Somavision

Chris Berry — Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution

Christopher Holliday (editor), Alexander Sergeant (editor) — Fantasy/Animation: Connections Between Media, Mediums and Genres (AFI Film Readers)

John A. Lent, Lorna Fitzsimmons — Asian Popular Culture in Transition

Thomas Paul Thesen — Composition for the 21st ½ century, Vol 2: Characters in Animation

Najbardziej popularne frazy